Filtering by Tag: lilith

Agalmatophilia: A tragedy In Three Acts Crowdfunding Campaign Week #05 (Introducing The Characters)

Dear everyone,

I hope your week was good and full of pleasant surprises.

As promised, I’m here to talk about the characters of my film Agalmatophilia: A Tragedy In Three Acts.

I don’t know if this is clear from what I wrote on this website, but there are only eight characters in the entire film, and four of them will never even actually appear.

It’s not unusual to see independent films that feature only a limited amount of characters. As you can probably imagine, the reason behind this is, usually, lack of money, although, in this case, my love for chamber plays was the main factor.

I love minimalist art, (if you have seen my shorts, you already know that), and I’m very grateful I do: you can’t really dictate your sensitivity and your creativity, so if you’re into big budget movies, well, good luck: you have my respect!

Now, before I continue, it would be better for me to remind you what Agalmatophilia: A Tragedy In Three Acts is about.

This is what you can read on my website and on Indiegogo:

AGALMATOPHILIA: A TRAGEDY IN THREE ACTS is the story of LILITH, a lonely 25-year old sculptor who is visited by the living BLACK CLAY STATUE of a demon that claims to be able to make her live a parallel life shared with someone she loves.

Intrigued by the idea of leaving her loneliness behind, Lilith embarks on a twisted and surreal journey across three different versions of her life, all of them characterised by three different versions, or ‘faces’, of her new partner ADAM, a mysterious character who’s currently working on a show called ‘Agalmatophilia’ and who is, in turn, a masochistic actor, an emotionally unstable theatre director and a sadistic playwright.

Helped by the WHITE CLAY STATUE of a pagan god and by her guardian spirit, a FOX, Lilith tries to escape her nightmare by following a path hidden in the woods on another plane of existence: her imagination.

(A note: this synopsis is incorrect. It’s been extremely oversimplified, but I had to write it this way to give you a vague idea of what I’m doing.)

Now that you remember the story, we can continue to talk about its eight characters (by the way, did you notice I only mentioned five of them in the introduction above?).

I usually like to divide them into three groups:

Physical Characters

1. Lilith

2. Adam

Metaphysical Characters

1. The Black Statue (also called The Wolf)

2. The Shady Character (also called The Fox)

3. The White Statue

The Chorus

1. The Dear

2. The Snake

3. The Raven

(Yes, these are the ones that I didn’t mention in the synopsis)

I’m sure many people would divide them differently, but this is how I see them.

The first one I created (you guessed it) is Lilith, although that wasn’t her original name.

Lilith is the main character of the film, and the one I personally care the most, probably.

The second one I created was Adam (I’d like you to think about the implications of what I’ve just written).

As many of you will certainly know, the name Lilith comes from a Jewish mythological figure that from the Middle Ages began to appear in a series of mystical literary works as Adam’s first wife.

According to some of these writings, Lilith was created with Adam (and not after him, like Eve) and from the same clay (this is one of the reasons the name Lilith has been associated with feminism).

Do Lilith and Adam symbolise humankind?

Why do you think I didn’t choose to call the main character of my film Eve?

These are some of the questions I won’t answer on Tuesday, the same day I’ll write more about Lilith, Adam and the other characters of Agalmatophilia: A Tragedy In Three Acts.

For now, if you haven’t already, please consider contributing to the crowdfunding campaign of the film!

Also, if you’re in Dublin on the 10th of April, why don’t you come to the film-related pub quiz organised by C-47 (a brand new music-video/film company)? There will be tons of prizes to win, and all the money raised during the night will help us fund Agalmatophilia: A Tragedy In Three Acts. (Oh, and if you’ve already contributed to the crowdfunding campaign, you won’t be charged to take part in the quiz!)

Very, very well…

Take Care,

Gavino

Links

Indiegogo Crowdfunding Campaign:

https://www.indiegogo.com/projects/agalmatophilia-a-tragedy-in-three-acts/x/16999351#/

Pub Quiz:

https://www.facebook.com/events/305179830147939/

C-47 Facebook Page:

https://www.facebook.com/CollectiveFourtySeven/

FullSizeRender.jpg

Introducing Lilith’s World: Agalmatophilia

First of all, a giant ‘Thank you!’ to all the people that subscribed to my new newsletter.

I’m sincere when I say that it means a lot.

Thanks, thanks and thanks again! 

Now...

Let me update you on what’s happening right now in my artistic life.

If you’ve read my previous posts, you already know that I’m currently working on my first music album, Fear & Agony (yeah, that’s the title now). I’m happy to announce that the recording sessions are almost over: in a week or so I will have all the tracks I need to start mixing the album (that is, to give the mess I’ve created to a sound engineer). Hopefully, it will be released in January.

The second big project is Agalmatophilia, a feature film I’ve been working on for a long time and that I’d like to introduce to you with a series of related posts, this being the first one.

(If you haven’t, I suggest you visit the page I created for it on this website and subscribe for news and updates!)

So...

Let’s start with some questions:

1. What does Agalmatophilia mean?

According to everyone’s favourite encyclopaedia:

Agalmatophilia (from the Greek agalma 'statue', and -philia φιλία = love) is a paraphilia involving sexual attraction to a statue, doll, mannequin or other similar figurative object.

 (https://en.m.wikipedia.org/wiki/Agalmatophilia)

Of course, I’m not going to tell you why I chose that title.  I hate spoilers.

2. What’s the connection between this project and Introducing Lilith, the short film that is featured at the bottom of its official page?

Well, this is pretty simple, and I basically talked about it in one of my previous posts: Introducing Lilith was meant to be the teaser trailer of Agalmatophilia (or, better, Lilith, as the film was called a couple of years ago). Unfortunately, I wasn’t particularly happy with the screenplay at the time, and I simply decided to work and work on it again. It’s something I definitely don’t regret.

3. Are you currently shooting Agalmatophilia?

No, I’m not... 

4. Is Agalmatophilia in pre-production?

I really (really, reallly, really, really, really, really) wish it was...

5. So... What are you doing right now (apart from writing some new stuff and producing the already mentioned Fear & Agony) ?

That’s a good question! What have I been doing since I finished writing the script around a year ago?

Well, I’ve been looking for a producer... Unsuccessfully... 

I’ll talk about this next week. For now, let me just say that, if you’re wondering, yes, I’m going to make this film! 

 

Thanks for reading!

IMG_1590.PNG

Random Thoughts On Introducing Lilith #01

Introducing Lilith...

Ah, there’s so much I could say about that, so I’ll start with a very simple introduction:

If you haven’t read my last post, it’s important for you to know that I’m talking about a short film I directed a couple of years ago (you can find it on this website and on YouTube: if you have time, check it out and tell me what you think of it!). Although it’s the most incomplete of all my works, it’s also among the most important ones.

Essentially, Introducing Lilith is the weird teaser trailer of a feature film I really (really, really, really) want to produce as soon as possible. Two years ago I thought it would be a good idea to shoot an introduction to the main character of my screenplay: I wanted to show a series of producers a very brief portion of the world I had in my mind in order to, well, make them produce my film. Unfortunately, the short film didn’t really help me (we’ll talk about that in the future), but I’m happy I realised it anyway.

Why? 

Well... When you spend so much time on a screenplay, you’ve got an entire detailed film in your head, an entire world to explore, and it’s fantastic. The problem is that you don’t know what that world will actually look like when represented in our material dimension, and I can tell you that you would really like to.

Now, Introducing Lilith is for me the first materialisation of the world of Agalmatophilia, which is the feature film I mentioned a few lines above. It’s a sort of faulty materialisation, maybe (there are so many interesting things in Lilith’s studio that can’t be seen, that are not there...), but it exists nonetheless.

In the next few weeks, I will talk about the making of the film, the lessons I learned from the experience and how they’re affecting Agalmatophilia.

 

Thanks for reading! 

 

 

IMG_1285.JPG

© Black Art 2019