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Agalmatophilia: A Tragedy In Three Acts Crowdfunding Campaign Week #01

Dear everyone,

The first week of the crowdfunding campaign of Agalmatophilia: A Tragedy In Three Acts is over.

It was a very intense week, if you ask me, and I feel pretty tired, more than I should be, probably. It’s common for people who do something for the first time to waste too much energy, I guess.

Anyway, it was also a very rewarding week: we reached the 16% of our goal, and even if that doesn’t sound like a lot, statistically, 4 in 5 campaigns that have reached that percentage on the first week succeed.

There’s hope!

Of course, the real campaign starts now: there is no time to rest!

I’d like to thank everyone who spent a bit of his/her time/money to contribute to Agalmatophilia: A Tragedy In Three Acts. I’m really, really, really thankful!

(By the way, I’ll start sending the perks next week, so you’ll receive them pretty soon!)

And if you haven’t visited the Indiegogo page of the campaign, just go to...

https://www.indiegogo.com/projects/agalmatophilia-a-tragedy-in-three-acts/x/16999351#/

Of course, when you’re there, select a perk and share! Every kind of contribution can make the difference, believe me.

Now it’s time for me to go to the screening of Incantations at The International Bar in Dublin. It was organised by the C-47 team (https://m.facebook.com/CollectiveFourtySeven/), the same fantastic guys that made Creation, the first video of a trilogy inspired by Agalmatophilia: A Tragedy In Three Acts.

If you haven’t seen it:

https://youtu.be/IuM8tYn-VIY

Take care, 

Gavino

A still from ‘Creation’ by John D Breen (C-47) featuring a sculpture by the artist Ana Carey

A still from ‘Creation’ by John D Breen (C-47) featuring a sculpture by the artist Ana Carey

Agalmatophilia: A Tragedy In Three Acts

Dear everyone,

Just a few words to let you know that the crowdfunding campaign of my film Agalmatophilia: A Tragedy In Three Acts is live!

Follow the link, choose a perk and share it!

https://igg.me/at/agalmatophilia

(Right now, I’m a bit too tired to write more than that… But you’ll hear from me very soon!)

Take Care,

Gavino

(Yeah!)

(Yeah!)

Crowdfunding Agalmatophilia: A Tragedy In Three Acts

Dear everyone,

I hope your week was enjoyable and productive. Mine was.

If you’ve read my previous posts, the fact that I’ve been working on the crowdfunding campaign for Agalmatophilia: A Tragedy In Three Acts won’t surprise you.

We’re almost there: in a week or so, you will be able to grab some nice artistic stuff in exchange for your contribution.

This is my first crowdfunding campaign and, honestly, I’m already thinking obsessively about a series of things I could have done differently. At the same time, I still believe I’m creating something you don’t usually see, and this is what’s keeping the car running.

I really want everyone to get something from it, and that’s why you won’t find any average ‘Thank You’ perks.

Enough! I don’t want to write too much about it, and it’s time to get back to work.

Enjoy your weekend and, if you haven’t, sign up:

https://www.indiegogo.com/projects/agalmatophilia-a-tragedy-in-three-acts/coming_soon/x/16999351

Take care,

Gavino

 

Statues by Katarzyna Horzela

Statues by Katarzyna Horzela

Producing Agalmatophilia: A Tragedy In Three Acts

Oh, my… It’s been almost two months since I wrote my last post! I should stop saying things such as ‘Next week, I’ll write about this…’ or ‘In the next few days, I’ll tell you about that…’.

My projects and, especially, my mood are too unpredictable.

But let’s not talk about that! Let’s talk about Agalmatophilia: A Tragedy In Three Acts.

First of all, as you might have noticed, I changed the title. I did it because another film called ‘Agalmatophilia’ (a comedy directed by Jared Masters) has just been released, and I thought it would be polite to do so.

Anyway, apart from that, nothing much has changed: I have the script, I have the will to make the film and... I don’t have a producer!

But let me explain the situation:

Last year, I sent a long series of emails to an equally long series of producers interested in arthouse films. Frankly, I thought nobody would reply, and I was wrong. Some of them did, and that alone made me pathetically happy (it also made me realise that a producer is not a ferocious mythological creature we’re bound to fear and/or despise, but a human being like you and me… Although, there are some exceptions, obviously…). Unfortunately, at the same time, no one seemed willing to produce my film.

Too bad…

Now, I consider myself to be a pretty rational person (now that I think about it… am I?). When something like this happens, I always try to find the reason behind it, and that’s why I asked myself: why was my film rejected?

I could write an entirely new post talking about the most exhaustive answer I could find, which is relatively complex, so I’ll just say:

Because of the same reason Jan Svankmajer and Alejandro Jodorowsky, two of the greatest living filmmakers, decided to launch a crowdfunding campaign to produce their own films.

I think you’ve already understood what I’m about to say.

In two weeks from now, I will launch the official crowdfunding campaign for Agalmatophilia: A Tragedy In Three Acts (damn, I’ve just given myself another deadline… I promise I will do everything I can to meet it, though!).

For now, you’re very welcome to go to the Indiegogo pre-launch page:

https://www.indiegogo.com/projects/agalmatophilia-a-tragedy-in-three-acts/coming_soon/x/16999351

I and my team have prepared some very interesting perks, so I suggest you sign up and share with everyone you know!


Thanks for reading!

 

A statue made by the fabulous Katarzyna Horzela

A statue made by the fabulous Katarzyna Horzela

Introducing Lilith’s World: Agalmatophilia

First of all, a giant ‘Thank you!’ to all the people that subscribed to my new newsletter.

I’m sincere when I say that it means a lot.

Thanks, thanks and thanks again! 

Now...

Let me update you on what’s happening right now in my artistic life.

If you’ve read my previous posts, you already know that I’m currently working on my first music album, Fear & Agony (yeah, that’s the title now). I’m happy to announce that the recording sessions are almost over: in a week or so I will have all the tracks I need to start mixing the album (that is, to give the mess I’ve created to a sound engineer). Hopefully, it will be released in January.

The second big project is Agalmatophilia, a feature film I’ve been working on for a long time and that I’d like to introduce to you with a series of related posts, this being the first one.

(If you haven’t, I suggest you visit the page I created for it on this website and subscribe for news and updates!)

So...

Let’s start with some questions:

1. What does Agalmatophilia mean?

According to everyone’s favourite encyclopaedia:

Agalmatophilia (from the Greek agalma 'statue', and -philia φιλία = love) is a paraphilia involving sexual attraction to a statue, doll, mannequin or other similar figurative object.

 (https://en.m.wikipedia.org/wiki/Agalmatophilia)

Of course, I’m not going to tell you why I chose that title.  I hate spoilers.

2. What’s the connection between this project and Introducing Lilith, the short film that is featured at the bottom of its official page?

Well, this is pretty simple, and I basically talked about it in one of my previous posts: Introducing Lilith was meant to be the teaser trailer of Agalmatophilia (or, better, Lilith, as the film was called a couple of years ago). Unfortunately, I wasn’t particularly happy with the screenplay at the time, and I simply decided to work and work on it again. It’s something I definitely don’t regret.

3. Are you currently shooting Agalmatophilia?

No, I’m not... 

4. Is Agalmatophilia in pre-production?

I really (really, reallly, really, really, really, really) wish it was...

5. So... What are you doing right now (apart from writing some new stuff and producing the already mentioned Fear & Agony) ?

That’s a good question! What have I been doing since I finished writing the script around a year ago?

Well, I’ve been looking for a producer... Unsuccessfully... 

I’ll talk about this next week. For now, let me just say that, if you’re wondering, yes, I’m going to make this film! 

 

Thanks for reading!

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Random Thoughts On Introducing Lilith #02

If you’re asking yourself why I’m writing a series of posts on a pretty simple 2-minute short film, well, that’s easy: it’s part of a much more complex world I’m currently working on. I’m basically getting ready to introduce it.

Let’s talk about the script.  

The screenplay of Introducing Lilith is, simply put, an excerpt from a much bigger piece of writing, Agalmatophilia. It used to be, actually: Agalmatophilia is now something different, and what happens in the short film is not there anymore.

As I already wrote in the last post, Introducing Lilith was supposed to be a sort of promo, an introduction to the feature film I want (I need... I have...) to make. When I changed the main script, I was a bit afraid I wouldn’t be able to use Introducing Lilith anymore, and the problem wasn’t the fact that the scene had changed... The problem was that the character itself had changed!

Lilith, the Lilith of the short film, is someone who, in a certain way, rules the visionary world she is part of. She’s not afraid of it because she knows it. That’s not the case anymore, but it’s too early to talk about that. 

I decided to release Introducing Lilith anyway. Why? Because I thought it would be interesting to show two different versions of the same character. In a way, it’s like exposing one of the most hidden sides (secrets?) of storytelling.

Yeah, well, actually...  I thought it would be interesting to show FIVE different versions of the character: we’re going to see (at least) four different people called Lilith in the feature film, so...

I’m a storyteller, and I tell the others what I see/hear/feel in general. If I see three, four, five, six different characters who are supposed to be the same person, I’m not going to choose only one. How could I? It wouldn’t be the truth. And why should I? My film wouldn’t be produced by a film production company anyway.

(A message from the deepest part of my heart: fuck the screenwriting rules)

 

Thanks for reading! 

 

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Random Thoughts On Introducing Lilith #01

Introducing Lilith...

Ah, there’s so much I could say about that, so I’ll start with a very simple introduction:

If you haven’t read my last post, it’s important for you to know that I’m talking about a short film I directed a couple of years ago (you can find it on this website and on YouTube: if you have time, check it out and tell me what you think of it!). Although it’s the most incomplete of all my works, it’s also among the most important ones.

Essentially, Introducing Lilith is the weird teaser trailer of a feature film I really (really, really, really) want to produce as soon as possible. Two years ago I thought it would be a good idea to shoot an introduction to the main character of my screenplay: I wanted to show a series of producers a very brief portion of the world I had in my mind in order to, well, make them produce my film. Unfortunately, the short film didn’t really help me (we’ll talk about that in the future), but I’m happy I realised it anyway.

Why? 

Well... When you spend so much time on a screenplay, you’ve got an entire detailed film in your head, an entire world to explore, and it’s fantastic. The problem is that you don’t know what that world will actually look like when represented in our material dimension, and I can tell you that you would really like to.

Now, Introducing Lilith is for me the first materialisation of the world of Agalmatophilia, which is the feature film I mentioned a few lines above. It’s a sort of faulty materialisation, maybe (there are so many interesting things in Lilith’s studio that can’t be seen, that are not there...), but it exists nonetheless.

In the next few weeks, I will talk about the making of the film, the lessons I learned from the experience and how they’re affecting Agalmatophilia.

 

Thanks for reading! 

 

 

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© Black Art 2019